Who designed the STILLETTO

By HILARY GREENBAUM and DANA RUBINSTEIN

Published: April 13, 2012

The ancient Greeks depicted Aphrodite in elevator shoes. Centuries later, Venetian courtesans clopped around in towering chopines, while during the reign of Louis XIV, red heels were a mark of nobility. So maybe Christian Louboutin did not invent the red soled stilletto.

But it was after World War II that the stiletto took hold. Soldiers who spent years abroad dreaming of high-heeled pinups, one historian wrote, came home to wives whose wartime work required more sensible shoes. As women returned to domestic life, higher heels could, and did, become all the rage. From the 1950s’ froth of experimentation, the stiletto was born.

Dr. Emily Splichal, a podiatrist and self-styled “stiletto foot expert,” put together a stiletto-recovery-workout kit to “reverse the postural stress from hours in high heels.” Each kit contains the following:

“Some credit Ferragamo, others Roger Vivier or Perugia,” says Valerie Steele, chief curator of the museum at the Fashion Institute of Technology. “I suspect the stiletto was developed by more than one Italian shoemaker, perhaps in association with French designers.”

Its origins may be nebulous, but the stiletto is a precision instrument. Designers used injection molding to encase metal spigots in plastic, making ever-thinner heels safe to stand on.

As heel tips shrank to the size of tacks, the stiletto, named for an Italian shiv from the 1700s, became an emblem of the Jet Age and French haute couture. Gina Lollobrigida wore them, as did Marilyn Monroe, proud owner of 40 pairs of Ferragamo stilettos. The ’60s counterculture rejected high heels, but in pornography the stiletto flourished. In the ’70s, Gloria Vanderbilt wore them with designer jeans. Stylists incorporated stilettos into the power-dressing fad of the ’80s; Madonna carried them into the ’90s, “Sex and the City” into the aughts. In 2008, Mike Huckabee said the only difference between him and Sarah Palin was a pair of stilettos.

Stilettos may shrink or grow taller, but they continue to represent both the empowered woman and the hobbled one. Stilettos make a woman “look taller, thinner, more bosomy and with a curvier bottom,” says Steele, but they also make it difficult for a woman to walk.

“Women’s fashion does not always emphasize the high heel,” Steele wrote in an essay. “Shoe fetishists, however, usually have done so.”

TO THE POINT

Patricia Field, the costume designer for ‘‘Sex and the City,’’ helped cement the stiletto’s legacy. Here, she discusses the signature shoe.

What is a stiletto? A stiletto is a specific style. It’s a shape. It’s not a height. It’s a heel that looks like a Champagne glass. It could be a three-inch stiletto. Or a four-inch stiletto. It could be a two-inch stiletto. It’s the shape.

Why is the stiletto so popular? It is the sexiest, most feminine shape. The shape echoes the shape of the body. When you have a column heel, it gives a different feeling. It gives a more powerful heel, but it doesn’t have that feminine taper to it.

Will it ever go out of style? It’s like leopard, for example. It’s a classic. Sometimes it becomes highly trendy, and sometimes it gets quieter, but it never goes away.

Do you have a personal favorite? My most favorite pair is from Charles Jourdan; it was probably 1962. It was semi-pointy-toed, so I had toe cleavage. And it was about a four-inch stiletto. Maybe five. They cost me $80. That’s like $800 today.

Can anyone pull it off? Well, there are all different kinds of women, and some women can’t handle a high heel, let alone a stiletto, which has the thinnest bottom. You can’t ever put something on a person that they can’t handle. That’s the big faux pas.

What about men? Do you think the stiletto could ever become a men’s shoe?They could become popular for men when men return to dressing like Mozart.

What are the odds of that? The way we dress over time gets much more simplified — much more utilitarian. It’s the nature of the world. Aristocracy is a past tense

Well, maybe Pat is loosing her cool edginess when it come to men in heels.

Cowboys get major bottie push up from sporting heels.

By SHEILA MARIKAR (@SheilaYM)

Oct. 19, 2011

Reports have been floating around for more than a year. Hairy legs atop 4-inch sticks. Bulging calves coming out of Bottega Venetas. Wedges, platforms, even stilettos being worn by -- gasp -- men.

Johnny Weir rocks them. So does Derek J, the Atlanta hair stylist made famous by Bravo's "Real Housewives." New York and San Francisco boast growing groups of glam-footed guys. Los Angeles, too: A New York Timesreport filed from there last week has kicked up the notion that high heels for XY chromosomes are the new hot thing.

Trends aside, men have been wearing heels to make a statement for years. In April, dozens of dudes pushed into pumps for the University of Alaska's fourth annual "Walk a Mile in her Shoes" fundraiser to benefit female sexual assault victims. A similar event in San Antonio, Texas. this month supported victims of domestic violence.

But now, fashion insiders are noticing guys strapping stilettos onto their gams for entirely aesthetic reasons.

Ray Tamarra/Getty Images

Olympic figure skater Johnny Weir sometimes... View Full Size

Historically, it's not unprecedented. As the Times pointed out, heels were de rigueur in pre-Napoleonic France. Men of all stripes paired platform shoes with their bell bottoms during the 1970s. The latest iteration finds guys in shoes built for gals.

"What's partly propelling it is the fact that men have become more comfortable with their feminine sides and are less afraid to show that, especially since high heels literally elevate you from the crowd," said Michael Musto, culture critic for the Village Voice.

"It's the girly fascination," said celebrity stylist Philip Bloch. "These men can appreciate the heels for their artwork."

Bloch pointed out that women co-opt menswear all the time. Take the boyfriend jean, the baggier, rolled up cousin of skinny, boot-leg and flared styles. Loafers, tuxedos, fedoras and ties have all, at varying points, found a home in the women's department.

For now, men buying heels is a trend without numbers. But, pardon the pun, it's got legs.

"It's still too small of a trend now to make it on the radar and there's still not enough people that will allow themselves to be counted as purchasing that product," said Marshal Cohen, chief industry analyst of the market research firm the NPD Group. "But we will, by next year, be able to quantify it."

Cohen billed the trend as "part of the new migration of consumer openness." Indeed, if there were ever a time for men to feel comfortable slipping on a pair of Manolos, it's now. In the past year, bullying became the enemy, "Don't Ask, Don't Tell" was repealed and New York legalized gay marriage. If Lady Gaga serves as an example, androgyny is in.

But then there's the physical factor.

"Once they dig their feet into a pair of six-inchers and realize how incredibly awkward it feels, I think most guys will run back to flats," Musto said, musing that the most flattering high heel for a man "would probably be an open-toed one for a quick exit."

Still, even if the trend only sticks around as long as it takes to develop a callus on the ball of of a foot (for the uninitiated: it doesn't take very long), Simon Doonan, the creative ambassador of Barneys and author of "Eccentric Glamour," applauds men attempting what women have endured for centuries.

"It's the same as gay marriage," he said. "Why should straight people be the only ones who suffer?"

Hats off to neurobiology

Once in a while you read something that really resonates with you. This is one for me. I remember the loving touch of my mother's holding my
hand as we walked to the dreaded parochial school when I was 4 and I know that although my mother has sever senile dementia for 10, she
still reacts to the touch of my hand. I hope that someone that I love will hold my hand when my number is up.




March 24, 2012, 4:28 PM

The Brain on Love

By DIANE ACKERMAN

Diane Ackermanon the natural world, the world of human endeavor and connections between the two.

TAGS:

LOVE, MARRIAGE, STRESS

A RELATIVELY new field, called interpersonal neurobiology, draws its vigor from one of the great discoveries of our era: that the brain is constantly rewiring itself based on daily life. In the end, what we pay the most attention to defines us. How you choose to spend the irreplaceable hours of your life literally transforms you.

All relationships change the brain — but most important are the intimate bonds that foster or fail us, altering the delicate circuits that shape memories, emotions and that ultimate souvenir, the self.

Every great love affair begins with a scream. At birth, the brain starts blazing new neural pathways based on its odyssey in an alien world. An infant is steeped in bright, buzzing, bristling sensations, raw emotions and the curious feelings they unleash, weird objects, a flux of faces, shadowy images and dreams — but most of all a powerfully magnetic primary caregiver whose wizardry astounds.

Olimpia Zagnoli

Brain scans show synchrony between the brains of mother and child; but what they can’t show is the internal bond that belongs to neither alone, a fusion in which the self feels so permeable it doesn’t matter whose body is whose. Wordlessly, relying on the heart’s semaphores, the mother says all an infant needs to hear, communicating through eyes, face and voice. Thanks to advances in neuroimaging, we now have evidence that a baby’s first attachments imprint its brain. The patterns of a lifetime’s behaviors, thoughts, self-regard and choice of sweethearts all begin in this crucible.

We used to think this was the end of the story: first heredity, then the brain’s engraving mental maps in childhood, after which you’re pretty much stuck with the final blueprint.

But as a wealth of imaging studies highlight, the neural alchemy continues throughout life as we mature and forge friendships, dabble in affairs, succumb to romantic love, choose a soul mate. The body remembers how that oneness with Mother felt, and longs for its adult equivalent.

As the most social apes, we inhabit a mirror-world in which every important relationship, whether with spouse, friend or child, shapes the brain, which in turn shapes our relationships. Daniel J. Siegel and Allan N. Schore, colleagues at the University of California, Los Angeles, recently discussed groundbreaking work in the field at a conference on the school’s campus. It’s not that caregiving changes genes; it influences how the genes express themselves as the child grows. Dr. Siegel, a neuropsychiatrist, refers to the indelible sense of “feeling felt” that we learn as infants and seek in romantic love, a reciprocity that remodels the brain’s architecture and functions.

Does it also promote physical well-being? “Scientific studies of longevity, medical and mental health, happiness and even wisdom,” Dr. Siegel says, “point to supportive relationships as the most robust predictor of these positive attributes in our lives across the life span.”

The supportive part is crucial. Loving relationships alter the brain the most significantly.

Just consider how much learning happens when you choose a mate. Along with thrilling dependency comes glimpsing the world through another’s eyes; forsaking some habits and adopting others (good or bad); tasting new ideas, rituals, foods or landscapes; a slew of added friends and family; a tapestry of physical intimacy and affection; and many other catalysts, including a tornadic blast of attraction and attachment hormones — all of which revamp the brain.

When two people become a couple, the brain extends its idea of self to include the other; instead of the slender pronoun “I,” a plural self emerges who can borrow some of the other’s assets and strengths. The brain knows who we are. The immune system knows who we’re not, and it stores pieces of invaders as memory aids. Through lovemaking, or when we pass along a flu or a cold sore, we trade bits of identity with loved ones, and in time we become a sort of chimera. We don’t just get under a mate’s skin, we absorb him or her.

Love is the best school, but the tuition is high and the homework can be painful. As imaging studies by the U.C.L.A. neuroscientist Naomi Eisenberger show, the same areas of the brain that register physical pain are active when someone feels socially rejected. That’s why being spurned by a lover hurts all over the body, but in no place you can point to. Or rather, you’d need to point to the dorsal anterior cingulate cortex in the brain, the front of a collar wrapped around the corpus callosum, the bundle of nerve fibers zinging messages between the hemispheres that register both rejection and physical assault.

Whether they speak Armenian or Mandarin, people around the world use the same images of physical pain to describe a broken heart, which they perceive as crushing and crippling. It’s not just a metaphor for an emotional punch. Social pain can trigger the same sort of distress as a stomachache or a broken bone.

But a loving touch is enough to change everything. James Coan, a neuroscientist at the University of Virginia, conducted experiments in 2006 in which he gave an electric shock to the ankles of women in happy, committed relationships. Tests registered their anxiety before, and pain level during, the shocks.

Then they were shocked again, this time holding their loving partner’s hand. The same level of electricity produced a significantly lower neural response throughout the brain. In troubled relationships, this protective effect didn’t occur. If you’re in a healthy relationship, holding your partner’s hand is enough to subdue your blood pressure, ease your response to stress, improve your health and soften physical pain. We alter one another’s physiology and neural functions.

However, it’s not all sub rosa. One can decide to be a more attentive and compassionate partner, mindful of the other’s motives, hurts and longings. Breaking old habits isn’t easy, since habits are deeply ingrained neural shortcuts, a way of slurring over details without having to dwell on them. Couples often choose to rewire their brains on purpose, sometimes with a therapist’s help, to ease conflicts and strengthen their at-one-ness.

While they were both in the psychology department of Stony Brook University, Bianca Acevedo and Arthur Aron scanned the brains of long-married couples who described themselves as still “madly in love.” Staring at a picture of a spouse lit up their reward centers as expected; the same happened with those newly in love (and also with cocaine users). But, in contrast to new sweethearts and cocaine addicts, long-married couples displayed calm in sites associated with fear and anxiety. Also, in the opiate-rich sites linked to pleasure and pain relief, and those affiliated with maternal love, the home fires glowed brightly.

A happy marriage relieves stress and makes one feel as safe as an adored baby. Small wonder “Baby” is a favorite adult endearment. Not that romantic love is an exact copy of the infant bond. One needn’t consciously regard a lover as momlike to profit from the parallels. The body remembers, the brain recycles and restages.

So how does this play out beyond the lab? I saw the healing process up close after my 74-year-old husband, who is also a writer, suffered a left-hemisphere stroke that wiped out a lifetime of language. All he could utter was “mem.” Mourning the loss of our duet of decades, I began exploring new ways to communicate, through caring gestures, pantomime, facial expressions, humor, play, empathy and tons of affection — the brain’s epitome of a safe attachment. That, plus the admittedly eccentric home schooling I provided, and his diligent practice, helped rewire his brain to a startling degree, and in time we were able to talk again, he returned to writing books, and even his vision improved. The brain changes with experience throughout our lives; it’s in loving relationships of all sorts — partners, children, close friends — that brain and body really thrive.

During idylls of safety, when your brain knows you’re with someone you can trust, it needn’t waste precious resources coping with stressors or menace. Instead it may spend its lifeblood learning new things or fine-tuning the process of healing. Its doors of perception swing wide open. The flip side is that, given how vulnerable one then is, love lessons — sweet or villainous — can make a deep impression. Wedded hearts change everything, even the brai

HAT TRIVIA. Who designed the earmuffs?

Each December, for the past 36 years,  the residents of Farmington, Me., have held a parade for their favorite son, a boy who invented earmuffs. According to town legend, Chester Greenwood was a 15-year-old with large and sensitive ears. “So,” writes Nancy Porter, in the book “Chester . . . More Than Earmuffs,” “he bent wires into circles with a connecting wire over his head.” Greenwood had his grandmother sew fabric onto the part that covered the ear. “Let it be known,” began his 1877 patent application, “that I, Chester Greenwood, . . . have invented certain new and certain useful Improvements for Ear-Mufflers.”

He may not have been the first person to ever put a so-called muffler over an ear, but he made a fortune off it. 

By 1882, Chester Greenwood & Company was making 50,000 pairs a year. By the start of World War I, Greenwood, who would go on to also patent the spring-toothed rake, landed a lucrative contract with the armed forces. (“Everyone in the service really jumped on the bandwagon,” says Vasilios Christofilakos, chairman of the Fashion Institute of Technology’s accessories-design department.) In 1938, a year after Greenwood’s death, Life magazine likened his simple innovation to “the Model T Ford” of earmuffs. Five years later, Miss New York appeared on Life’s cover resplendent in earmuffs. Inside, it hailed the ascendancy of the accessory to “the top rung of the fashion ladder.”

Alas, the earmuff could not maintain its cachet. After playing a supporting role in the fashion tragedy that was the 1980s (“You would spend the $50 for a pair of mink earmuffs, and you were hot,” Christofilakos says), it lost market share to head gear like 180s, a fleece headband-cum-earmuff commonplace among teenagers, suburban dads and even sports fans in inclement cities. There are, however, signs of a renaissance. Louis Vuitton has since sold earmuffs for $985; Gucci for $390. A couple years ago, Ivanka Trump bought 20 faux-chinchilla earmuffs for her closest friends. “I cleared them out,” she says.

For the last 25 years, Clyde Ross, a retired social-studies teacher, has portrayed Chester Greenwood in the annual Farmington parade. Here, he explains:

Chester Greenwood's grandson, George Greenwood, at left, greets Clyde Ross of Farmington, who has played Chester Greenwood in the parade for many years.

How did you assume this role?

I was elected by popular vote.

Do you bear much resemblance to him?

If I put on a mustache and a bowler hat, and you stood us side by side, it would be quite similar.

Is the parade the only time of year that people refer to you as Chester Greenwood?

Well, this morning I was in the pie restaurant, and someone said, ‘‘There’s Chester Greenwood.’’ I go to public schools and talk about Chester Greenwood and some of his activities from time to time. And there are some of my friends that refer to me as Chester Greenwood.

What do you find most fascinating about Greenwood?

He was a man of practicality. He would try to fashion devices that would help to make the work easier and give farmersand lumber people an opportunity to move along. He was also a man who did not use what you and I refer to today as vices: tobacco and alcohol.

Any special preparation involved in your role?

I have to go to the local barber and have my mysterious mustache put on. I have some theatrical materials that I use.

Do you own earmuffs?

I have some originals that were sold right here in Farmington. The lady said, ‘‘If you’re going to be Chester Greenwood, you gotta have originals.’’

Greenwood also invented the bottom whistling kettle, the mechanical mouse trap, and the spring steel rake, among many others. He is listed on the Smithsonian Institution's list of America's 15 Outstanding Inventors.

What does a Starbucks Strawberry Frappuccino and a fez have in common?

THE ANSWER IS THEY BOTH USE DRIED COCHINEAL BUGS TO GET THE INTENSE RED COLOR NEEDED.

More below and red frappuccinos and fez.

Luzmila Ruiz holds a spool of dyed yarn, made from the cochineal insect, which is crushed in her hand as well as a ball made up of thousands of crushed insects, 

You can get your Starbucks Strawberry Frappuccino venti, grande or tall. You just can't get it without insects, to which it owes its pink and rosy color.

In what the company, in a statement, says was a move intended to reduce its use of artificial ingredients, Starbucks has started using cochineal extract to supply its Frappuccinos' strawberry hue. Cochineal extract is derived from grinding up insects, the dried bodies of cochineal bugs, found primarily in Mexico and South America. Cochineal dye has been used as a coloring agent since the 15th century.

Before you get all cold-and-bothered about your insect-Frappuccino, be advised: Cochineal is considered safe by the FDA, and is widely used for coloration in jams, preserves, meat, marinades, alcoholic drinks, bakery products, cookies, cheddar cheese and many other food products.

It has been found by the World Health Organization, however, to cause asthma in some people, and in some others an allergic reaction.

Starbucks' statement, issued partly in response to vegans' asking if the use of this ingredient makes Strawberry Frappuccino vegan or not, reads in full:

"At Starbucks, we strive to carry products that meet a variety of dietary lifestyles and needs. We also have the goal to minimize artificial ingredients in our products. While the strawberry base isn't a vegan product, it helps us move away from artificial dyes.

"Many Starbucks ingredients can be combined to create a beverage free from animal-derived products; however, we are unable to guarantee this due to the potential cross-contamination with other animal-derived products in our retail locations."

A vegetarian website, ThisDishIsVegetarian.com, brands the strawberry insecto-Frapp non-vegan.Origin

Portrait of the Ottoman Sultan Mahmud II after his clothing reforms

The fez was developed to fashionable heights by Andalusian Arabs in the city of Fes, Morocco by the 17th century when fashions in Europe already changed in less traditional ways. The artisans involved in their making were the most selective members of the cities' Souqs.

After Sultan Mahmud II suppressed the Janissaries in 1826, he decreed that the official headgear for his modernized military would be the fez with a cloth wrapped around it. In 1829, he ordered his civil officials to wear the plain fez, in the expectation that the populace at large would follow suit. This was a radically egalitarian measure which replaced the elaborate sumptuary laws which signaled rank, religion, and occupation, allowing prosperous non-Muslims to express their wealth in competitions with Muslims, foreshadowing the Tanzimat reforms. On the other hand, tradesmen and artisans generally rejected the fez.^[4]

Initially a symbol of Ottoman modernity, the fez came to be seen as part of an "Oriental" cultural religious identity. In Turkey, wearing the fez was legally banned in 1925 as part of the modernizing reforms of Mustafa Kemal Ataturk. In his speech attacking Ottoman dress as decadent, he condemned the fez as "the headcovering of Greeks", tarring it by association with the recent Greco-Turkish War.^[5]

The fez was initially a brimless bonnet of red, white, or black with a turban woven around. Later the turban was eliminated, the bonnet shortened, and the color fixed to red. Praying while wearing a fez -instead of a hat with brim- was easier because Muslims put their foreheads on the ground many times during the prayer sessions.

[edit]Etymology

The name is originated from the city of Fez in Morocco, which had a monopoly on the manufacture of fez caps, which were dyed with an extract of dried Cochineal bugs

[edit]Military use

A young Bedouin man wearing a North African version of the fez.

A version of the fez was used as an arming cap for the 1400-1700s version of the mail armour head protector (a round metal plate or skull-cap, around which hung a curtain of mail to protect the neck and upper shoulder. The fez, presumably padded, raised up the metal plate an inch or two to provide effective protection from heavy blows. The fez could be optionally wrapped with a turban.

Fez being made in Tunisia.

The red fez with blue tassel was the standard headdress of the Turkish Army from the 1840s until the introduction of a khaki service dress and peakless sun helmet in 1910. The only significant exceptions were cavalry and some artillery units who wore a lambskin hat with coloured cloth tops. Albanian levies wore a white version of the fez. During World War I the fez was still worn by some naval reserve units and occasionally by soldiers when off duty.

The Evzones (light infantry) regiments of the Greek Army wore their own distinctive version of the fez from 1837 until World War II. It now survives in the parade uniform of the Presidential Guard in Athens.

From the late 19th century on the fez was widely adopted as the headdress of locally recruited "native" soldiers amongst the various colonial troops of the world. The French North African regiments (Zouaves, Tirailleurs, and Spahis) wore wide, red fezzes with detachable tassels of various colours. It was an off-duty affectation of the Zouaves to wear their fezzes at different angles according to the regiment; French officers of North African units during the 1930s often wore the same fez as their men, with rank insignia attached. The Libyan battalions and squadrons of the Italian colonial forces wore lower, red fezzes over white skull caps. Somali and Eritrean regiments in Italian service wore high red fezzes with coloured tufts that varied according to the unit. German askaris in East Africa wore their fezzes with khaki covers on nearly all occasions. The Belgian Force Publique in the Congo wore large and floppy red fezzes similar to those of the French Tirailleurs Senegalais and the Portuguese Companhias Indigenas. The British King's African Rifles (recruited in East Africa) wore high straight-sided fezzes in either red or black, while the West African Frontier Force wore a low red version. The Egyptian Army wore the classic Turkish model until 1950. The West India Regiment of the British Army wore a fez as part of its Zouave-style full dress until this unit was disbanded in 1928. The tradition is continued in the full dress of the band of the Barbados Regiment, with a white turban wrapped around the base.

While the fez was a colourful and picturesque item of uniform it was in several ways an impractical headdress. If worn without a drab cover it made the head a target for enemy fire, and it provided little protection from the sun. As a result it was increasingly relegated to parade or off-duty wear by World War II, although France's West African tirailleurs continued to wear a khaki-covered version in the field until about 1943. During the final period of colonial rule in Africa (approximately 1945 to 1962) the fez was seen only as a full-dress item in French, British, Belgian, Spanish and Portuguese African units; being replaced by wide-brimmed hats or forage caps on other occasions. Colonial police forces, however, usually retained the fez as normal duty wear for indigenous personnel.

Post-colonial armies in Africa quickly discarded the fez. It is, however, still worn by the ceremonial Gardes Rouge in Senegal as part of their Spahi-style uniform, and by the Italian Bersaglieri in certain orders of dress. The Bersaglieri adopted the fez as an informal headdress through the influence of the French Zouaves, with whom they served in the Crimean War. The Italian Arditi in the First World War wore a black fez that later became a uniform of the Mussolini Fascist regime. The Spanish Regulares (formerly Moorish) Tabors stationed in the Spanish exclaves of Céuta and Melilla, in North Africa, retain a parade uniform which includes the fez and white cloaks. Filipino units organised in the early days of U.S. rule briefly wore black fezzes. The Liberian Frontier Force, although not a colonial force, wore fezzes until the 1940s.

The 13th Waffen Mountain Division of the SS Handschar, which was recruited from Bosnia, used a red or field grey fez with Waffen SS cap insignia. Bosnian infantry regiments in the former Austro-Hungarian Empire had also been distinguished by wearing the fez until the end of World War I.

Two regiments of the Indian Army recruited from Muslim areas wore fezzes under British rule (although the turban was the nearly-universal headdress amongst Hindu and Muslim sepoys and sowars). A green fez was worn by the Bahawalpur Lancers of Pakistan as late as the 1960s.

Many volunteer Zouave regiments wore the French North African version of the fez during the American Civil War.
ON a lighter note, here is a picture of Betty Davis IN A FEZ.

[edit]International use

Tunisian Fez

Peci, worn here by Indonesian former president Suharto.

A Hyderabadi Muslim man in India wearing a Fez hat, locally known as a 'Rumi topi'

The fez is a part of the traditional clothing of Cyprus, and is still worn by some/many Cypriots today. Traditionally, some women wore a red fez over their heads, instead of aheadscarf, whilst men a black or red cap.^[6] The fez was sometimes worn, by men, with material (similar to a wrapped keffiyeh or turban) around the base. In his 1811 journey to Cyprus, John Pinkerton describes the fez, "a red cap turned up with fur", as "the proper Greek dress".^[7] In the Karpass Peninsula, white caps are worn, a style considered to be based on ancient Cypriot Hellenic-Phoenician attire, thus preserving men's head-wear from 2700 years earlier.^[8]

The fez was introduced into the Balkans, initially during the Byzantine reign, and subsequently during the Ottoman period where various Slavs, mostly Bosniaks, started wearing the head-wear.

Among the Muslim aristocracy of South Asia, the fez is known as the Rumi Topi (which means "hat of Rume or Byzantium").^[9] It was a symbol of Islamic identity and showed theIndian Muslims' support for the Caliphate, headed by the Ottoman Sultan. Later, it became associated with the Muslim League, the political party which eventually created the country of Pakistan. The late veteran Pakistani politician Nawabzada Nasrullah Khan was one of the few people in Pakistan who wore the fez until his death in 2003.

In Sri Lanka the fez was used as frequently by the local Muslim Sri Lankan Moor population. Despite its use declining in popularity, the fez is still used in traditional Moor marriage ceremonies.

A variation of the fez has been commonly worn in the Malay Archipelago since the 19th century when it was introduced by Muslims from South Asia. Known as a peci in Indonesianand songkok in Malay, this variant is black in colour with a more ellipse shape and sometimes decorated with embroideries. The Philippine varieties tend to be colorful and highly decorated.

A variation of a black soft fez was used by Italian blackshirts under the Fascist regime. This was in imitation of the red soft fez still worn by bersaglieri units.

In Libya, a soft black fez, called the checheya, is worn by the rural population with or without a long tassel. In the east, a red one called a chenna is worn.

In tourist hotels in Egypt, Tunisia and Morocco, porters and bellhops often wear a fez to provide local colour for visitors.

In the last era of the Ottoman Empire, a purple fez was used as a symbol of revolt by eshkiyas (bandits).